What to look at
- Feet. Parallel, hip-width apart or slightly wider, pressing evenly through the whole foot. If the knees fall out to the sides, narrow the stance.
- Knees. They point forward, over the heels, and do not drift apart. The support comes from the thighs and seat, not from tension in the knees.
- Pelvis. Lifted and pointing up, with the weight shared between the hands and feet. Do not clench the seat hard: the muscles work but stay controlled.
- Back. The curve is spread along the whole back: upper back, lower back and hips. If all the depth goes into the lower back, return to bridge.
- Shoulders and wrists. The palms are shoulder-width apart with the fingers spread, and the elbows point up and do not flare. The shoulders open so the chest has room to move forward.
- Neck and gaze. The neck is free and the head hangs gently between the arms. The gaze goes to the floor, and the head is neither strained nor thrown back sharply.
- Breath. Breathe evenly and do not hold the breath. If it breaks up or you feel dizzy, lower onto your back and rest.
What it trains
Wheel builds strength in the arms, legs and torso and shows how mobile the shoulders and chest are. It is not a pose for flexibility at any cost, but for coordinated work of the whole body.
To come into wheel calmly, you first need to know bridge well: it gives a feeling of support through the feet and thighs, and only then through the upper back.
Step by step
- Lie on your back on a soft mat with the knees bent and the feet hip-width apart near the seat. Make a bridge and check that it comes without strain.
- Lower the hips and place the palms beside the ears with the fingers towards the shoulders. Point the elbows up, with the arms about shoulder-width apart.
- Exhale and lift the hips a little into a bridge, checking that the feet and palms are firmly placed.
- If you are working with a teacher and the pose is free of pain, straighten the arms and lift the chest, keeping the breath even. If not, stay in bridge and repeat it with the palms by the shoulders.
- Press into the floor with the feet and palms. Straighten the arms and legs as far as is comfortable, without locking the knees and elbows.
- Keep the neck free and look at the floor. Do not hurry to straighten the arms fully.
- To come out, tuck the chin to the chest, bend the elbows and knees and lower onto your back slowly. Lie down, hug the knees to the chest and rest.
Stay in bridge with the palms by the shoulders for as long as is comfortable. In wheel itself two or three breaths are enough; rest on your back between attempts. Do not repeat many times in a row.
How to tell it is going well
- The palms are by the shoulders and the elbows point up.
- The feet are parallel and the knees point forward.
- The bend is spread along the whole back.
- The breath is even and the head is not thrown back.
Common mistakes
- The elbows flare out to the sides. Point the elbows up and bring them to shoulder width. Wide elbows load the shoulders and make lifting harder.
- All of the bend is in the lower back. First lift the chest and give the depth to the shoulders. If needed, return to bridge on a block.
- The knees drift apart. Set the feet parallel and point the knees forward. A wide foot stance loads the knees.
- Lifting sharply without preparation. Do not jerk up. First bridge, then palms by the shoulders, and only then wheel with a teacher.
- Palms and wrists. Spread the fingers and press evenly through the palms, without dumping the weight into the wrists. If the wrists hurt, return to bridge.
Variations
Easier
- Bridge. Stay in bridge: it gives the same work for the legs and seat. A block under the hips can add support.
- Palms by the shoulders in bridge. Place the palms by the shoulders and lift the hips only slightly, without raising the chest higher. This introduces the arms to supporting weight while wheel is not ready.
Harder
- Straighter arms and legs. When the pose is steady, straighten the arms and legs, pressing evenly through all four supports. Do not lock the knees and elbows.
- Longer with even breathing. Add one or two breaths while the breath stays even and there is no pressure in the lower back.
When to be more careful
If you have an injury, are pregnant or have questions about your health, talk to your teacher before class and, if needed, to a doctor. Choose an easier variation and stop where it is comfortable: pain is not the aim of the pose.
- If pain appears in the lower back, wrists, shoulders or neck, or you feel dizzy, lower onto your back and return to bridge. Wheel is not for today.
- This is a deep backbend: learn it only with a teacher, on a soft surface and with a well-prepared bridge. If you have concerns about the back, neck, wrists or blood pressure, tell the teacher before class. If you are pregnant, tell the teacher: they can help you find a comfortable option.
Where you will meet it
- Ashtanga Vinyasa: wheel often appears towards the end of a series, when the body is prepared.
- Vinyasa: it is often chosen as the peak of the backbends in a lively class.
- Iyengar: the preparation and supports are studied in detail, step by step.
Paired poses
Try it in class
See how the pose is taught in a live class: yoga in Goa, how to find a class near you. Find a class
Names and technique differ a little between schools. Follow your teacher, tell them about injuries and pregnancy, and ask a doctor if you are unsure.
This is a reference, not a replacement for a class. Names and technique differ between schools, so follow your teacher in class.